Snarky Puppy - Streaming isn't paying artists

Snarky Puppy’s Michael League: “Streaming doesn’t pay artists”

As much as I love Spotify for discovering new music, I’m fully aware of the fact that streaming isn’t paying the actual bands and musicians the way it should – luckily I’m also an avid record collector. At last week’s Snarky Puppy show in Brussels, bandleader Michael League had a few interesting to say on the subject. His sincere message left an impression on me. That’s why I’d like to present to you in full.

Right after a blistering version of Lingus and before launching into the encore What About Me, Michael League addressed the sold-out Ancienne Belgique:

“We’re fortunate because we are able to play in a room like this, and sell some tickets and survive playing music. But that’s not the case for many, many, many artists who are more talented than ourselves and I just wanna make you aware, very briefly, that as wonderful of a thing as streaming is – and Spotify and Pandora and YouTube – I wanna let you know that although those companies are doing very well and labels are doing very well, the only people that don’t get paid for streaming are [scream from the audience] … artists. You got it. So while we are fortunate, there are many incredible artists who deserve for their music to be heard and they can’t survive if you don’t support them. So I just wanna put a big shout out. If there any artists, Belgian or American of English or whatever, that you love and you want them to succeed, you want them go on, please buy their records and buy tickets cause streaming is not supporting them. It’s only listening. Ask any musician, they’ll tell you.”

What’s even more laudable is that Michael isn’t just talking about Snarky, or about his own magnificent label GroudUp Music (David Crosby, Becca Stevens, House of Waters, Forq, Bill Laurance, …) – check it out! His message concerns all recording artists and deserves to be shared. Have fun buying cool stuff on vinyl, tape, cd or online!

Steven Wilson on Discovering Music

Steven Wilson on discovering music

A few days ago, Steven Wilson played the Montréal Jazz Festival in Canada. During a public interview he shared some passionate words about discovering music. As well as the treasure he most recently dug up.

I’ve been on the road now for four months with this band. And the last thing you want to to do when you get home is going to a show. It’s like going to the office. But I do still – voraciously – devour music.
[…] The thing about the history of music is: just when you think you’ve heard everything, something else will come along and surprise you. And I think also your musical taste changes as you get older. Things that didn’t make sense to you as a teenager suddenly click.
[…] I’m always amazed by how much fantastic music is available and still there to be discovered. Even at my age. So i’m still very curious and passionate about discovering music I’m not familiar with.

Steven Wilson is notorious for listening to everything from the most delicate pop to the most brutal noise. You can tell by browsing through his playlist archive, an virtually inexhaustible source for great music. Where did Wilson pick up this wide-ranging musical taste? Like so many people, he listened to his parents’ records:

You know, my parents were very electic in their musical taste. I grew in up in a house where we’d be listening to quite serious intellectual rock music, but then also to Abba and The Carpenters and The Bee Gees. And I still … to this day I love pure pop. When it’s done beautifully …

On his latest discovery:

I was listening to an old jazz album by a guy called Les McCann, ‘Invitation to Openness’. Early seventies Atlantic jazz record, very inspired by Miles. Kind of ‘In a Silent Way’. And again, that was just a record I was introduced to only the last few weeks. And I’ve completely fallen in love with it.

Thanks a lot for the tip, Steven. I safely transferred the album to my Discogs wantlist!